11/9/2023 0 Comments Deep waterWhen Melinda’s piano teacher Ricky (played by the wonderful and beautiful Jacob Elordi, an Australian actor who also stars in Euphoria) is seen around town with Melinda, Vic doesn’t confront him but instead skulks and follows him around. What is Vic’s deal? It’s as if he’s playing some perverse game: he gives Melinda all the freedom she wants, but also feels the need to cruelly punish her for it by (allegedly) murdering her lovers one by one. He naturally takes an interest in Vic’s habit of confessing to unsolved murders of men his wife’s recently been sleeping with. Take Lionel (the always-fantastic Tracy Letts), who writes crime novels. They are certainly more appealing and intriguing than the brooding, inscrutable Vic. There are many missteps made by this film, but one of the more mystifying ones is the failure to let these friends have a bit more screen time. Apparently they’re too distracted by their own suburban angst to worry all that much if their friend is a serial killer. They all have a deer-in-the headlights look about them that suggests they’re not really sure how to deal with creeping thoughts of mortality. Like Vic, they’re all approaching middle age. Word gets around that Vic is spreading this rumor: his friends are unsure whether to believe it or not. When Vic casually remarks to Joel that he killed Melinda’s missing lover, Joel’s not sure if he’s joking and figures that he’d better make himself scarce. Apparently this is common knowledge, as is the fact that one of Melinda’s former lovers has gone missing. She gets to date cute younger men and Vic says nothing aside from acting jealous and moody about the trysts. You see, Vic and Melinda have an arrangement. At one of these parties, we meet one of Melinda’s chums, a young man named Joel (Brendan Miller) who she’s also sleeping with. Melinda is a fair bit younger than Vic and the two of them enjoy entertaining and attending parties thrown by their friends (also well-to-do suburban married couples). Their age difference seems to be a common trope in their suburban enclave. She likes to drink, she likes to wear alluring clothes and, a freewheeling artistic spirit, she seems ever so slightly stifled by domestic life. Despite finding her daughter irritating at times, Melinda is nothing if not a youthful foil to Vic, who mostly dotes on her and indulges her occasional tantrums (it’s a rather annoying stereotype in a film full of them). Anyway, Vic is married to Melinda (Ana de Armas of Knives Out and No Time to Die) and they have a young daughter who is cute and precocious and who enjoys driving her mother crazy by asking Alexa to play “Old McDonald” ad nauseam so she can sing along at top volume. I’m sure there’s a creepy metaphor here, but if there is it’s either very, very weak or I’m very, very stupid and it’s lost on me. Yes, snails: he keeps them in a moist shed full of glass terrariums (or whatever snail houses are called) and regularly spends time with them. He spends his days riding his mountain bike and caring for his menagerie of snails. A dubious achievement but it allowed him to retire quite young. But this film, while satisfyingly glossy and sexy, is nevertheless too implausible and contrived to really generate much suspense.īen Affleck plays Vic, a successful engineer/inventor who apparently worked on a successful drone used in military combat. Infidelity is the common thread here and you’d think Lyne would have pretty well mastered marital duplicity and crimes of passion by now. It would make sense to expect a lot from Deep Water: it’s adapted from a novel by Patricia Highsmith, with a screenplay co-written by Zach Helm ( Stranger than Fiction) and Sam Levinson ( Assassination Nation and Euphoria), and directed by Adrian Lyne, who has helmed other domestic thrillers such as Fatal Attraction, Unfaithful, and Indecent Proposal. Ben Affleck doing some brooding in Deep Water.
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